Peter was a pioneer in the fields of digital art and digital photography in the early 1980's. He adopted the Macintosh computer as an artistic tool in 1984, and added an early photo scanner the following year.

Peter saw, before many at Kodak, the coming revolution of digital photography. He utilized his creative skills throughout his nearly twenty-eight years at Kodak, constantly breaking new ground in a highly technical environment. An early advocate of digital photography, Peter used the Mac and desktop publishing to push his then controversial digital proposals. Contributing a key digital camera patent and designing a number of Kodak's first digital software products, Peter also helped establish the Center for Creative Imaging in Camden, Maine and became Kodak’s first digital imaging instructor. In 1989, he was asked to draft Kodak’s first digital product strategy.

As a consultant to Dynamic Imaging, Kodak's lenticular division, he brought 3D modeling and digital photography tools to bear on the process of creating 3D and animated artworks for clients.

That final role at Kodak, resulted in his finding the perfect medium for his own, very personal, 3D art.